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Week 13

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Saved by Frank Kelderman
on June 21, 2013 at 11:36:55 am
 

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American popular culture and the Iconography of American Indians in the 20th century


 

 

This week we will think about the representation of American Indians in popular culture by looking at two famous films: John Ford's The Searchers (1956) and Disney's Pocahontas (1995). These films help us recognize the way stereotypes of Indians have developed over time, and how different stereotypes exist side-by-side: from the American Indian as the "savage," or as an obstacle to be overcome by westward expansion, to the American Indian as the pure, uncorrupted, and nature-loving "noble savage." Viewing these films back to back, we'll think about the ideological work they did at different historical moments (the 1950s and the present), but also about how these films draw on ideas and assumptions that go centuries back.

 

 

 

John Ford's The Searchers

 

         

 

  • Phil Deloria on stereotyping (above) 
  • The Searchers (Dir. John Ford) 

 

Study Questions 

 

  1. Phil Deloria suggests that to simply point out that texts are biased is not enough: we need to think analytically about what larger cultural tales they tell. What is your sense of the ideological meaning of The Searchers? What assumptions and biases does it reveal, and what does this suggest about the larger culture that produced and watched it?
  2. What are the range of American Indian stereotypes you find in The Searchers? For example, how does the representation of Scar compare to that of "Look"? In what way do these stereotypes function as what Phil Deloria calls a "cultural vehicle" for larger cultural processes? How do these stereotypes work, and what kind of narratives do they enable?
  3. What does the ending of The Searchers signify? Why is Ethan Edwards made to "ride away"?
  4. How does blood quantum play out in the film, especially related to the character of Martin Pawley? In what ways is John Ford trying to present a discussion of race? How successful do you think he is in doing this? 

 

 

 

Disney's Pocahontas 

 

 
  • Pocahontas (Disney, 1995)  

 

Study Questions 

 

  1. Carefully read the images in the "Imagining Pocahontas" PowerPoint above. What details stand out to you in each of them, in terms of Pocahontas's representation, the background, the actions depicted? Are there any ways in which her representations change over time? 
  2. In Disney's Pocahontas, how do the early scenes characterize Powhatan's chiefdom? What assumptions do you think went into this portrayal?
  3. To what extent does Pocahontas seek to abandon notions of savagery or the "warlike Indian"? What stereotypes would you say take its place? 
  4. Why do you think the film employs these stereotypes in particular: from a historical perspective, what are the changes in American culture since John Ford's The Searchers was made?
  5. Upon first meeting the English, Pocahontas, Powhatan, and other characters try to make sense of what they are. To what extent do you think this was actually the case historically? How "new" were Europeans?
  6. Several scholars have argued that Disney's Pocahontas told the story for an audience that embraced multiculturalism. Do you agree? What can be said for this statement, and what might you add? 

 

 

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